Early 1939 was an odd time for the Benny Goodman band. On the one hand, they were at the height of popularity, with the weekly Camel Caravan sponsored radio series; a string of hit records (And the Angels Sing about to become a Number One hit); and the publication of Benny’s autobiography, The Kingdom of Swing, written in collaboration with Irving Kolodin.
All was not well within the organization, however. Personnel shakeups were affecting the band’s sound, most recently the loss of Harry James in January, who left to form his own orchestra. Singer Martha Tilton left in May, to be replaced by Louise Tobin, who just happened to be Harry James’ wife!
Perhaps reflecting the situation, Benny’s recording of an original instrumental titled after his book was rejected and never issued on 78.
Also in May, Benny left the Victor label, which had recorded the band since April 1935. Switching to the newly-reformed Columbia label, under the urging of friend and record producer John Hammond, the band would debut a refreshed sound and personnel in August, during a lengthy stint on the West Coast.
Around this time, Goodman saxophonist Jerry Jerome got his fellow bandmates to sign a copy of Benny’s book for his “jitterbug” sister.
Strangely, Benny himself didn’t sign, but we have the signatures of Corky Cornelius, Chris Griffin (trumpets); Bruce Squires, Red Ballard, Vernon Brown (trombones); Art Rollini, Hymie Shertzer, Jerry Jerome, Noni Bernardi (saxes); Jess Stacy (piano); George Rose (guitar); Nick Fatool (drums); Louise Tobin (vocals); and Pee Wee Monte (road manager).
Missing from the page are Ziggy Elman, Lionel Hampton and bassist Artie Bernstein. Maybe they were all out having a drink! Guitarist George Rose (he of the cute little caricature) joined the band around May 9 in St. Louis and was gone by July. Noni Bernardi was replaced by Toots Mondello around June 13, so we can definitively date the autographs to a brief period in May-June 1939.
The Kingdom of Swing book was quite successful and was reprinted several times, including a special paperback edition for the Armed Forces. By the time the book had a commercial paperback version issued in 1961, Benny’s recording of the title time had finally been issued on a 1960 RCA LP, which just happened to have the same title.