Captain Glenn Miller (tb & director); Zeke Zarchy, Whitey Thomas, Bobby Nichols, Steve Steck, John Carisi, Jack Steele (tp); Jimmy Priddy, James Harwood, John Halliburton, Larry Hall, Nat Peck (tb); Addison Collins (Frhrn); Hank Freeman, Gabe Galinas, Fred Guerra (as); Jack Ferrier, Vinnie Carbone, Murray Wald, Peanuts Hucko, Lynn Allison (ts); Chuck Gentry, Mannie Thaler (bar); George Ockner (concertmaster of 20-piece string section); Mel Powell, Jack Russin (p); Carmen Mastren (g) Trigger Alpert, Joe Shulman (b); Ray McKinley, Frank Ippolito (d); Jerry Gray, Norman Leyden, Ralph Wilkinson, Bill Finegan (arr).
This is a composite personnel, from which the recording units were drawn.
V-Disc Session, RCA Victor Studios. New York, December 10, 1943
VP-415 The Squadron Song (JD & Band, vcl, JG arr) V-Disc 144
VP-415 Tail End Charlie (BF arr) V-Disc 144
VP-416 Medley: Goin’ Home/Honeysuckle Rose (MP arr)/My Blue Heaven V-Disc 123
VP-1189 Holiday for Strings (Part 1) (JG arr) V-Disc Unissued Test
VP-1190 Holiday for Strings (Part 2) (JG arr) V-Disc Unissued Test
The Glenn Miller Army Air Force Band’s second V-Disc recording session was held six weeks after the first and embraced a similarly eclectic range of material. THE SQUADRON SONG, written by a trio of soldiers, was the first of many gung-ho patriotic numbers the band did, saluting various branches of the military. THERE ARE YANKS, WHAT DO YOU DO IN THE INFANTRY, WITH MY HEAD IN THE CLOUDS and THE ARMY AIR CORPS SONG would soon follow, all with the full band “glee club” augmented by Johnny Desmond and the Crew Chiefs vocal group. It’s a stimulating performance, taken in multiple tempos from ballad to swing to march, with the string section nicely spotted. Their witty little allusion to REVEILLE (“You’ve gotta get up this morning”) is a fun touch.
Bill Finegan’s TAIL-END CHARLIE (originally titled TROOP MOVEMENT) was likely written for the civilian band, but never played by them. Finegan gave the chart (and other unused Miller items) to Horace Heidt’s band, which performed it on the air toward the end of 1942. Their version is quite credible, but Glenn’s many AAF renditions have greater sparkle. This V-Disc interpretation cuts about a minute from the full chart, so it and THE SQUADRON SONG could both fit onto one side of the record. By the way, the title referred to the tail gunners of fighter planes.
Chuck Gentry (on baritone) and Vince Carbone (on tenor) get the solo spots, but both are more effective and heard at greater length on live performances, such as the one originally included on the RCA AAF LP set, which is also taken at a snappier tempo than the V-Disc.
Presumably to take advantage of the longer playing time of a 12-inch disc, next up was a “Miller Medley,” or at least ¾ of one! The AAF Band continued Glenn’s medley tradition of “Something Old, Something New, Something Borrowed, Something Blue,” which had been a weekly feature of the civilian Chesterfield radio shows. The AAF medleys took on a more elaborate shape and often ran 8 or 9 minutes in length, with varying tempos for the different selections.
This V-Disc of GOIN’ HOME/HONEYSUCKLE ROSE/MY BLUE HEAVEN hints at the range these medleys could cover, in this case, from Antonin Dvorak to Fats Waller! The missing “new” tune from this particular medley was PAPER DOLL, likely not recorded since it might not have been fresh by the time the record was circulated. The highlight here is Mel Powell’s imaginative piano spot on HONEYSUCKLE ROSE. Too bad it isn’t longer.
The last two session recordings were of David Rose’s popular HOLIDAY FOR STRINGS, PARTS 1 & 2, in a blockbuster, pull-all-stops arrangement by Jerry Gray. Of course, the strings were well featured, as was the full dynamic power of the band playing both sweet and bluesy. This version is taken slower than later live versions, with a sudden pause halfway through to accommodate the break between the two parts. For some reason, this recording was never issued, though a live version from June 3, 1944 was later issued on one side of V-Disc 421. Test pressings do exist, as pictured here.
HOLIDAY became one of the AAF band’s top numbers, featured on many broadcasts, often as the closing performance. What, after all, could follow it?
All the recordings from the first AAF V-Disc session were issued back-to-back on V-Discs 65 and 91. This session’s output was split – the flip side of V-Disc 123 was a dub of IN THE MOOD by the civilian band and V-Disc 144 had two medley excerpts from a December 1943 radio program. The product of the next session would be similarly split.